{"id":1169,"date":"2022-04-22T14:01:00","date_gmt":"2022-04-22T12:01:00","guid":{"rendered":"http:\/\/evelyne-axell.info\/eng\/?p=1169"},"modified":"2022-06-10T14:02:53","modified_gmt":"2022-06-10T12:02:53","slug":"amazons-of-pop-at-kunsthaus-graz","status":"publish","type":"post","link":"https:\/\/evelyne-axell.info\/eng\/?p=1169","title":{"rendered":"\u00ab Amazons of Pop! \u00bb at Kunsthaus Graz."},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"860\" height=\"672\" src=\"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-01.jpg?resize=860%2C672&#038;ssl=1\" alt=\"\" class=\"wp-image-1170\" srcset=\"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-01.jpg?resize=1024%2C800&amp;ssl=1 1024w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-01.jpg?resize=300%2C234&amp;ssl=1 300w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-01.jpg?resize=150%2C117&amp;ssl=1 150w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-01.jpg?resize=768%2C600&amp;ssl=1 768w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-01.jpg?w=1265&amp;ssl=1 1265w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><\/figure>\n\n\n\n<h2 class=\"wp-block-heading\">After MAMAC Nice, France, and Kunsthalle zu Kiel, Germany, the exhibition is now shown in Austria.<\/h2>\n\n\n\n<p class=\"has-small-font-size wp-block-paragraph\"><em>From 22.04.till 28.08.2022<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">At Kunsthaus Graz, the exhibition design exploits an intrinsic affinity with the origins of blob architecture and, with around 120 works by some 40 female artists, superheroes and icons from various media such as painting, installation, performance, sculpture and film, encourages visitors to immerse themselves in the female world of Pop and a period of social, technological and political upheaval.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"860\" height=\"573\" src=\"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/283644001_10160324492155337_1669332727618162883_n.jpg?resize=860%2C573&#038;ssl=1\" alt=\"\" class=\"wp-image-1171\" srcset=\"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/283644001_10160324492155337_1669332727618162883_n.jpg?resize=1024%2C682&amp;ssl=1 1024w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/283644001_10160324492155337_1669332727618162883_n.jpg?resize=300%2C200&amp;ssl=1 300w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/283644001_10160324492155337_1669332727618162883_n.jpg?resize=150%2C100&amp;ssl=1 150w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/283644001_10160324492155337_1669332727618162883_n.jpg?resize=768%2C511&amp;ssl=1 768w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/283644001_10160324492155337_1669332727618162883_n.jpg?resize=1536%2C1022&amp;ssl=1 1536w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/283644001_10160324492155337_1669332727618162883_n.jpg?w=2048&amp;ssl=1 2048w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/283644001_10160324492155337_1669332727618162883_n.jpg?w=1720&amp;ssl=1 1720w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">The exhibition Amazons of Pop! challenges the traditional art historical canon of what is generally regarded as Pop Art. As feminist pioneers, female Pop artists with a lot of \u2018Vroom, Bang, Ka-Pow! and Wham!\u2019 questioned the traditional role of woman and muse. They worked autobiographically, often across genres as well as in different media, combining the bold aesthetics of a brave new world of commodities with the self-confident adoption of the new synthetic materials and technologies, while blending them with performance and also textile or paper crafts \u2013 for a long time ranked by art history as \u2018low\u2019 to even no art. From the early 1960s on, women artists unabashedly appropriated the broad repertoire of a metropolitan, consumer-oriented and media-reproduced awakening in order to challenge it in different ways and to take up their own unique positions within it: demonstratively approving like Sturtevant, openly provocative in their display of nudity and sexuality like Dorothy Iannone and Evelyne Axell, through demonstrative self-dramatization like VALIE EXPORT, or furious and explosive like Niki de Saint Phalle.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" width=\"860\" height=\"823\" src=\"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-03.jpg?resize=860%2C823&#038;ssl=1\" alt=\"\" class=\"wp-image-1172\" srcset=\"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-03.jpg?resize=1024%2C980&amp;ssl=1 1024w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-03.jpg?resize=300%2C287&amp;ssl=1 300w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-03.jpg?resize=150%2C144&amp;ssl=1 150w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-03.jpg?resize=768%2C735&amp;ssl=1 768w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/Graz-03.jpg?w=1480&amp;ssl=1 1480w\" sizes=\"auto, (max-width: 860px) 100vw, 860px\" \/><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Curated by: H\u00e9l\u00e8ne Guenin, G\u00e9raldine Gourbe, Katrin Bucher Trantow, Barbara Steiner.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Kunsthaus Graz<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Lendkai 1<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">8020 Graz, \u00d6sterreich<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">T +43-316\/8017-9200<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">info@kunsthausgraz.at<\/p>\n","protected":false},"excerpt":{"rendered":"<p>After MAMAC Nice, France, and Kunsthalle zu Kiel, Germany, the exhibition is now shown in Austria. From 22.04.till 28.08.2022 At Kunsthaus Graz, the exhibition design exploits an intrinsic affinity with the origins of blob architecture and, with around 120 works <a class=\"more-link\" href=\"https:\/\/evelyne-axell.info\/eng\/?p=1169\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":1173,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-1169","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2022\/06\/feature.jpg?fit=626%2C470&ssl=1","_links":{"self":[{"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/posts\/1169","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1169"}],"version-history":[{"count":1,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/posts\/1169\/revisions"}],"predecessor-version":[{"id":1174,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/posts\/1169\/revisions\/1174"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/media\/1173"}],"wp:attachment":[{"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1169"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1169"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1169"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}