{"id":137,"date":"2010-01-19T12:58:17","date_gmt":"2010-01-19T17:58:17","guid":{"rendered":"http:\/\/www.evelyne-axell.com\/eng\/?p=137"},"modified":"2015-08-15T18:18:48","modified_gmt":"2015-08-15T16:18:48","slug":"belgian-pop-artist-evelyne-axells-works-to-take-part-in-major-u-s-exhibition","status":"publish","type":"post","link":"https:\/\/evelyne-axell.info\/eng\/?p=137","title":{"rendered":"Belgian Pop Artist Evelyne Axell\u2019s works to take part in Major U.S. Exhibition in Philadelphia."},"content":{"rendered":"<h2>Seductive Subversion: Women Pop Artists 1958 &#8211; 1968<\/h2>\n<p>Major Exhibition at the University of the Arts Rediscovers Lost Legacy of Women Pop Artists.<\/p>\n<address>January 22 &#8211; March 15, 2010<\/address>\n<address><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" class=\"alignnone size-full wp-image-524\" src=\"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2010\/01\/SS_mainimage_web.jpg?resize=640%2C420&#038;ssl=1\" alt=\"Seductive Subversion PA\" width=\"640\" height=\"420\" srcset=\"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2010\/01\/SS_mainimage_web.jpg?w=640&amp;ssl=1 640w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2010\/01\/SS_mainimage_web.jpg?resize=150%2C98&amp;ssl=1 150w, https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2010\/01\/SS_mainimage_web.jpg?resize=300%2C196&amp;ssl=1 300w\" sizes=\"auto, (max-width: 640px) 100vw, 640px\" \/><\/address>\n<p>\u00a0&#8220;Seductive Subversion: Women Pop Artists 1958 &#8211; 1968,&#8221; the first major exhibition of female Pop artists, takes aim at more accurately reflecting the depth of women&#8217;s contributions to Pop Art.<\/p>\n<p>Traditionally, Pop Art has been defined and dominated by a small group of Anglo-American male artists,&#8221; said curator Sid Sachs, who has been developing the exhibition for five years. &#8220;This show expands this narrow definition and re-evaluates the critical reception of Pop Art. Many of these artworks have not been shown in four decades.<\/p>\n<p>&#8220;Seductive Subversion&#8221; features paintings and sculptures by Evelyne Axell, Pauline Boty, Vija Celmins, Chryssa, Niki de Saint Phalle, Rosalyn Drexler, Dorothy Grebenak, Kay Kurt, Yayoi Kusama, Lee Lozano, Marisol, Mara McAfee, Barbro \u00d6stlihn, Faith Ringgold, Martha Rosler, Marjorie Strider, Alina Szapocznikow, Idelle Weber, Joyce Wieland and May Wilson.<\/p>\n<p>The University has secured loans of artwork from the National Gallery, Hirshhorn Museum and Sculpture Garden (Washington, D.C.), Neuberger Museum (Purchase, N.Y.) and major private collectors.<\/p>\n<p>The show&#8217;s main staging will be at the Rosenwald-Wolf Gallery (333 S. Broad St., Philadelphia), with the Hamilton Hall Galleries (320 S. Broad St., Philadelphia) and Borowsky Gallery (401 S. Broad St., Philadelphia) hosting the balance of the art work. The Rosenwald-Wolf Gallery is open Monday through Friday, 10 a.m.-5 p.m. and Saturday noon-5 p.m. The exhibition is free and open to the public. For information, call 215-717-6480.<\/p>\n<p>&#8220;Seductive Subversion: Women Pop Artists 1958 &#8211; 1968&#8221; was organized by the Rosenwald-Wolf Gallery at the University of the Arts. This project, along with a documentary film by Glenn Holsten, has been supported by The Pew Center for Arts &amp; Heritage through the Philadelphia Exhibitions Initiative, with additional support from the Marketing Innovation Program. Additional funding for the film is generously provided by the Andy Warhol Foundation for the Visual Arts, the Dolfinger-McMahon Foundation and the Quaker Chemical Foundation.<\/p>\n<p>&nbsp;<\/p>\n<h2>Women and Pop Art Symposium<\/h2>\n<p>The <strong>Women and Pop Art Symposium<\/strong> is organized in conjunction with the <strong>&#8220;Seductive Subversion: Women Pop Artists 1958-1968&#8221;<\/strong>\u00a0exhibition.<\/p>\n<p>Friday, February 5 \u2013 Saturday, February 6, 2010<br \/>\nTerra Hall, Connelly Auditorium (8th floor)<br \/>\n211 South Broad Street<br \/>\nPhiladelphia, PA 19102<\/p>\n<p><strong>Friday, February 5<\/strong><br \/>\n<strong>2 \u2013 6 p.m.<\/strong><\/p>\n<ul>\n<li>Sid Sachs<br \/>\n<em>Introduction<\/em><\/li>\n<li>Kalliopi Minioudaki<br \/>\n<em>Postscript to Seductive Subversion\u00a0 <\/em><\/li>\n<li>Sue Tate,<br \/>\n<em>Pauline Boty<\/em><\/li>\n<li>Judith Stein<br \/>\n<em>Art Interrupted: The Short, Sad, Extraordinary Career of Jean Follett<\/em><\/li>\n<li>Anke Kempes<br \/>\n<em>Alina Szapocznikow, Axell, Boty <\/em><\/li>\n<li>Cecile Whiting<br \/>\n<em>Vija Celmins <\/em><\/li>\n<li>Plenary session<\/li>\n<\/ul>\n<p><strong>Saturday, February 6<\/strong><br \/>\n<strong>10 a.m. \u2013 6:30 p.m.<\/strong><\/p>\n<ul>\n<li>Nancy Heller<br \/>\n<em>Humor in Pop Art<\/em><\/li>\n<li>Tom Sokolowski<br \/>\n<em>Bridgid Berlin<\/em><\/li>\n<li>Anika \u00d6hrner<br \/>\n<em>Painting Manhattan in the Era of Pop &#8211; Barbro \u00d6stlihn<\/em><\/li>\n<li>Plenary session<br \/>\n<em>Amy Ingrid Schlegel<\/em><\/li>\n<li>Michael Lobel<br \/>\n<em>Elaine Sturtevant<\/em><\/li>\n<li>Marina Pacini<br \/>\n<em>Marisol\u2019s Family<\/em><\/li>\n<li>Bradford Collins<br \/>\n<em>The Women of Neo-Pop; Candice Breitz, Sylvie Fleury, Julie Wachtel and Mariko Mori<\/em><\/li>\n<li>Plenary session<\/li>\n<li>Artists Panel<\/li>\n<\/ul>\n<p>The Women and Pop Art Symposium was organized by the Rosenwald-Wolf Gallery at the University of the Arts. This project, along with the exhibition &#8220;Seductive Subversion: Women Pop Artists 1958 \u2013 1968&#8221; and a documentary film by Glenn Holsten, have been supported by The Pew Center for Arts &amp; Heritage through the Philadelphia Exhibitions Initiative, with additional support from the Marketing Innovation Program. Additional funding for the film is generously provided by the Andy Warhol Foundation for the Visual Arts, the Dolfinger-McMahon Foundation and the Quaker Chemical Foundation.<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seductive Subversion: Women Pop Artists 1958 &#8211; 1968 Major Exhibition at the University of the Arts Rediscovers Lost Legacy of Women Pop Artists. January 22 &#8211; March 15, 2010 \u00a0&#8220;Seductive Subversion: Women Pop Artists 1958 &#8211; 1968,&#8221; the first major <a class=\"more-link\" href=\"https:\/\/evelyne-axell.info\/eng\/?p=137\">Read More &#8230;<\/a><\/p>\n","protected":false},"author":1,"featured_media":524,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[3],"tags":[],"class_list":["post-137","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-exhibitions"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/i0.wp.com\/evelyne-axell.info\/eng\/wp-content\/uploads\/2010\/01\/SS_mainimage_web.jpg?fit=640%2C420&ssl=1","_links":{"self":[{"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/posts\/137","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=137"}],"version-history":[{"count":5,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/posts\/137\/revisions"}],"predecessor-version":[{"id":728,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/posts\/137\/revisions\/728"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=\/wp\/v2\/media\/524"}],"wp:attachment":[{"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=137"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=137"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/evelyne-axell.info\/eng\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=137"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}